{"id":4053,"date":"2020-03-03T12:35:22","date_gmt":"2020-03-03T10:35:22","guid":{"rendered":"http:\/\/rcppm.org\/blog\/?p=4053"},"modified":"2020-03-19T17:24:15","modified_gmt":"2020-03-19T15:24:15","slug":"actualite-un-nouveau-type-de-plafond-peint","status":"publish","type":"post","link":"https:\/\/rcppm.org\/blog\/2020\/03\/actualite-un-nouveau-type-de-plafond-peint\/","title":{"rendered":"Actualit\u00e9 : un nouveau type de plafond peint ?"},"content":{"rendered":"<p>Courant d\u00e9cembre, Arturo Zaragoza et Georges Puchal ont consacr\u00e9 deux journ\u00e9es \u00e0 la prospection des plafonds peints m\u00e9di\u00e9vaux dans Valence (Espagne) et ses proches environs afin d\u2019\u00e9valuer le potentiel d\u2019un \u00e9tude \u00e0 conduire ult\u00e9rieurement.<\/p>\n<div id=\"attachment_4055\" style=\"width: 327px\" class=\"wp-caption alignright\"><a href=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/031219-8639_1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4055\" class=\" wp-image-4055\" src=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/031219-8639_1-300x200.jpg\" alt=\"\" width=\"317\" height=\"211\" srcset=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/031219-8639_1-300x200.jpg 300w, https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/031219-8639_1-768x513.jpg 768w, https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/031219-8639_1-1024x684.jpg 1024w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/a><p id=\"caption-attachment-4055\" class=\"wp-caption-text\">Palacio Catal\u00e1 de Valeriola (photo \u00a9 G. Puchal)<\/p><\/div>\n<p>Les journ\u00e9es ont \u00e9t\u00e9 fructueuses, car ils on pu observer un type de plafond peint, non \u00e9tudi\u00e9 jusqu\u2019ici, \u00e0 composition mixte : les solives support\u00e9es \u00e0 m\u00eame le mur p\u00e9rim\u00e9tral ou, parfois, sur une sabli\u00e8re, portent non pas un plancher constitu\u00e9 de merrains mais de briques plates. Le tout \u00e9tant peint d\u2019une une th\u00e9orie de petites fleurs, des bouquets d\u00e9licats, ou encore d\u2019autres types de d\u00e9cor r\u00e9p\u00e9titifs : triangles flammul\u00e9s et g\u00e9om\u00e9tries savantes, proches du\u2026 Op art ! En revanche, la figure humaine ou animale y est toujours absente.<\/p>\n\n\n<p><\/p>\n\n\n<p>Comportant des couvre-joints, comme les plafonds en bois, la nature mixte de la structure n\u2019est pas facilement perceptible.<\/p>\n<div id=\"attachment_4054\" style=\"width: 333px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/041219-8769_1_resultat.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4054\" class=\" wp-image-4054\" src=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/041219-8769_1_resultat-300x200.jpg\" alt=\"\" width=\"323\" height=\"215\" srcset=\"https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/041219-8769_1_resultat-300x200.jpg 300w, https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/041219-8769_1_resultat-768x513.jpg 768w, https:\/\/rcppm.org\/blog\/wp-content\/uploads\/2020\/03\/041219-8769_1_resultat.jpg 1024w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><\/a><p id=\"caption-attachment-4054\" class=\"wp-caption-text\">Ch\u00e2teau de Benisan\u00f3 (photo \u00a9 G. Puchal)<\/p><\/div>\n<p>Ce type de plafond semble avoir \u00e9t\u00e9 tr\u00e8s pris\u00e9 et localement r\u00e9pandu \u00e0 l\u2019extr\u00eame fin du moyen \u00e2ge&nbsp;: malgr\u00e9 leur simplicit\u00e9 structurelle tous ces plafonds se trouvent dans des \u00e9difices tr\u00e8s prestigieux tels le Palais Catal\u00e1 de Valeriola, ou le Ch\u00e2teau de Benisan\u00f3, entre autres.&nbsp; L\u2019\u00e9tude typologique de ce type de plafond reste \u00e0 faire.<\/p>","protected":false},"excerpt":{"rendered":"<p>Courant d\u00e9cembre, Arturo Zaragoza et Georges Puchal ont consacr\u00e9 deux journ\u00e9es \u00e0 la prospection des plafonds peints m\u00e9di\u00e9vaux dans Valence (Espagne) et ses proches environs&#46;&#46;&#46;<\/p>\n","protected":false},"author":9,"featured_media":4055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[71,70],"tags":[],"class_list":["post-4053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-vie-des-plafonds","category-assoc"],"_links":{"self":[{"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/posts\/4053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/comments?post=4053"}],"version-history":[{"count":12,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/posts\/4053\/revisions"}],"predecessor-version":[{"id":4069,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/posts\/4053\/revisions\/4069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/media\/4055"}],"wp:attachment":[{"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/media?parent=4053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/categories?post=4053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rcppm.org\/blog\/wp-json\/wp\/v2\/tags?post=4053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}